Gilmar composes speeches and texts with visual, written, and sound resources that challenge audiences. He has also created films in a documentary-fictional style, developed workshops for collective film production, and produced novice filmmakers’ work.
Gilmar learned cinema by being a DVD pirate, and then writing, producing and/or editing short films and feature films that unexpectedly showed at the Berlinale, Sundance, Locarno festivals, sometimes in official selections. He has developed film workshops for collective film production and has produced the films of young novice filmmakers.
His cinematographic style is defined as documentary-fictional cinema, to avoid the word non-fiction. He is director of the moseñada NUEVA SENSACIÓN orchestra. Also is a contributor and editor of Nuevas Pornos, an online film magazine about Bolivian cinema and collaborates with different artists from the art scene in Bolivia, as a consultant and critic.